Attracting and Managing Public Funds by Martín Gómez
Editor's Note: This is a speech that Martín Gómez gave last November, and it's been edited and published here with his permission. Gómez is the executive director of New York's Brooklyn Public Library (BPL), the fifth-largest system in the U.S. with a central library, a business library, and 58 branches. As a nonprofit corporation with an annual operating budget of $65 million, BPL leadership obviously knows where to find funding and how to use it for successful programs. So, Gómez' speech, which was given at a meeting of METRO, the Metropolitan New York Library Council, will offer some valuable tips about funding.
One of the distinguishing characteristics of a library leader is the ability to attract funds for a special library or community project. There are a variety of funding sources available. Private dollars are available from corporations, wealthy individuals, and private foundations. Thousands, if not millions, of dollars are available from government agencies, too. I'll discuss how you can exercise leadership by acquiring and managing public funds for your library program.
What do you need to know about acquiring and managing public funds? First, you must have a well-thought-out program or project to sell. For most governmental funding agencies, this project must meet a clearly stated need. You'll find that the funding criteria are often stated in such broad terms that you can invariably find a rationale for submitting an application to many government agencies, not just to those directly involved with libraries. Secondly, you need to know where the money is.
Selling Your Idea
How do you go about making your idea the one that gets the attention of the funders? First, you must do your homework. When you have identified a service or program need, you will have to back up your claim. Funders will want to know what information you have to support your assertion of need.
Just as important, though, is your relationship with the funding agent. The success that you have in selling your idea will depend more on the relationship between you and your supervisor, your institution, the administration of the institution, and the government agency to which you will have applied for funds. It is the people who administer the grant funds. This is why it is critically important for you to not only know who they are, but more importantly, for them to know who you are. Many of the individuals from these program offices attend library conferences. Some are willing to pay a site visit to your local library. At the very least, all of them have telephones.
You must also know why they are giving money away. For every government funding program, the agency is required to publish grant guidelines. How do you obtain this information? Read the Federal Register. Call the agency directly. Call your local state library. Call the Institute of Museum and Library Services in Washington, DC. But first, call your library director or supervisor to determine how the goals of your organization match your project idea. If there is not quite a match, then your job is to convince them that indeed there is compelling reason to do this project anyway. Your job is to begin laying the groundwork that will match your library program or service need with the mission of the institution.
Once you've convinced your institution that your project idea is a good one, you need to begin laying the groundwork with the funding agency. Let's talk, for example, about state library agencies. Each state library is required to develop a "plan of service" that outlines how they plan to spend literally millions of dollars in federal money to assist local libraries in their state at developing new and innovative service programs. I strongly recommend that you obtain copies of the plan from your state library and look for areas that most closely match your project idea. In theory, you should have done this initially, before you presented your idea to your library administration.
In addition, state libraries often host workshops to give specific tips on how to apply for funds. When you attend these workshops, don't just leave after the session. Go up and introduce yourself to the presentors; let them know what you are thinking about.
Establishing Your Credibility
Once you've initiated your relationship, you need to establish credibility. People will want to know more about you and about your institution. Will you be able to implement your project? Will your institution make a commitment to the project and, just as important, will it agree to sustain the effort after the grant money has been spent?
Credibility is based on reputation. Reputations are built on small successes. If you've not demonstrated your ability to manage a program successfully, you will have a hard time convincing others that you are capable of managing a new grant-funded program. Brag about small successes. It demonstrates that 1) you have some experience in this program area, 2) you've established a relationship with the community, and 3) the library has a commitment to serve this segment of the community.
This is not just about you and your credibility. Successful programs are not necessarily the result of one person's ability to work singlehandedly, but rather, result from careful collaborative efforts of many individuals working toward a common goal. In this process, you are actually beginning to establish credibility with those who work with you, for you, and within your institution.
Finding Sources of Public Funding
So where is the money? At the risk of sounding overly simplistic, it's all around us. In essence, your challenge is to get a piece of the funding cake. Like the story of the little red hen, you must participate in the making and baking of the cake to ensure that you get a piece of it. Ideally, you should not be standing in the kitchen when the cake is done, waiting for your crumbs. Instead, you should have contributed the ingredients to ensure that there is a significant slice for you to share with your community. Don't wait to get invited into the kitchen. Be one of the chief bakers.
No two local public libraries are alike. They all have unique funding methods and formulas. For example, 85 percent of the $65 million budget of the Brooklyn Public Library comes from the City of New York. The remaining portion comes from the state and a mix of public and private grants. It is my job to make sure that we are making funding proposals (suggesting ingredients) that will result in a well-funded library (cake). This year, I am happy to say that through our combined efforts we have raised an additional $4.3 million in public monies for books, children's programs, and new initiatives. On the private side, we have succeeded in raising over a quarter of a million dollars for a new Multilingual Center that will be part of our Central Library, bringing our total private fundraising over the last 6 months to a little over $1 million.
Second only to local funding, I believe that states provide the greatest source of new grant funding for your ideas. Many states not only have their own grant programs for library service, but many have state libraries that are responsible for administering millions of dollars of federal money for libraries and education-related projects. Let me review a few specific funding opportunities.
Library Services and Technology Act or LSTA: Congress is contemplating funding up to $150 million for libraries as part of the Library Services and Technology Act. While most monies in this program will go to libraries through state library agencies, 4 percent is reserved for national leadership purposes of library education and training, research and demonstrations, preservation and digitization, and model joint library/museum projects.
America Reads Challenge: Both school and public libraries could expand their reading programs for children if the America Reads Challenge legislation passes. Under the proposed program guidelines, libraries could take the lead in grant applications or participate in partnerships for grants. As conceived, this is a 5-year, $2.7 billion initiative. Up to 70 percent of the grants would be made to the states. The remaining funds would be distributed based on the quality of the state application and the extent to which the state has mobilized a broad base of local and statewide organizations to help many more children.
Literacy: The Employment, Training, and Literacy Enhancement Act of 1997 is a major reauthorization of a job training and adult education bill that failed to pass last year. In this version, there is a provision that allows libraries and volunteer literacy organizations to apply for grants.
Joint Museum/Library programs: There is a proposed 4 percent set aside for joint library/museum projects in the newly established LSTA program. Many urban centers have small community museums that focus on collecting materials for our ethnic communities. Are you ready to begin developing the relationships for such a joint venture?
These are just a few of the potential sources of governmental funding available to libraries. Many others exist. The Department of Commerce is providing funds for enhancing the telecommunications infrastructure in this country. The program is called the TIIAP, or Telecommunication Information Infrastructure Assistance Program. The Department of Education has its Early Start program as well as its Head Start program, which is proposing a stronger linkage with libraries. Many libraries across the country successfully apply for and receive grants from the National Endowment for the Humanities to expand the humanities to low-literacy, economically disadvantaged communities. The National Science Foundation supports digital library projects.
If you take the initiative to apply for funds, you must also take the responsibility to make sure that the funds are spent appropriately, that reports are completed and submitted on time, and that the program funding agency receives the appropriate credit and recognition. I think that managing the resources is the easy part. And by the way, don't be shy about bragging about your project and how it has benefited the community. Everyone likes to hear good news.
Summary: Success in Funding
Think strategically. What are the current trends and buzzwords that will help you to advance your library project? Immigration, collaboration, literacy, and reading will all be very important issues in the next few years. Are you prepared to wrap a grant application around these subjects?
Get to know the funders, programmatically and personally. Attend grant workshops. Locally, get to know your library administration, especially the development office and the budget staff.
Learn how to make a presentation. Often it is not what you say but how you say it that counts. The best grant applications that I have read are the ones that have had the simplest and clearest presentation of ideas. The best of those grants have been able to tie their grant objectives to a very understandable budget.
Martín Gómez is the executive director of the Brooklyn Public Library in New York. He serves on many boards, including the Library of Congress National Digital Library Advisory Committee and the Pratt Institute School of Information and Library Science Advisory Committee. Gómez is also running for ALA president for 1999.
THE DEPARTURE. Our travellers were not obliged to bargain for their conveyance, as they went ashore in the boat belonging to the hotel where they intended to stay. The runner of the hotel took charge of their baggage and placed it in the boat; and when all was ready, they shook hands with the captain and purser of the steamer, and wished them prosperous voyages in future. Several other passengers went ashore at the same time. Among them was Captain Spofford, who was anxious to compare the Yokohama of to-day with the one he had visited twenty years before. "Tell me," said the Doctor, without moving a muscle in his face, "was she satisfied with her tour of my premises?" The Doctor stabbed a finger wildly in the direction of the coal cellar. "If you had seen what I have seen to-night, you would understand. You would be feeling exactly as I am now." Meanwhile Balmayne had crept in downstairs. He crossed over and helped himself liberally to brandy. He took a second glass, and a third. But there came none of the glow of courage to his heart. There was nothing in the kitchen, but there were some boxes in the storeroom beyond--a tin or two of sardines and some biscuits. Also in a wine cellar Leona found a flask or two of Chianti. "A glass of beer, madame." Outside Cherath a motor-car stood between some partially removed trees. Two officers and three soldiers stood around a map which they had laid on the ground, and with them was a young girl, scarcely twenty years old. She was weeping, and pointed out something on the map, obviously compelled to give information. One of the officers stopped me, was clearly quite satisfied with my papers, but told me that I was not allowed to go on without a permit from the military command. Then I pulled out of my pocket, as if of great importance, the scrap of paper which the commanding officer at the bridge near Lixhe had given me. The other had scarcely seen the German letters and German stamp when he nodded his head approvingly, and quickly I put the thing back, so that he might not notice that I was allowed only to go to Visé. The critical tendency just alluded to suggests one more reason why philosophy, from having been a method of discovery, should at last become a mere method of description and arrangement. The materials accumulated by nearly three centuries of observation and reasoning were so enormous that they began to stifle the imaginative faculty. If there was any opening for originality it lay in the task of carrying order into this chaos by reducing it to a few general heads, by mapping out the whole field of knowledge, and subjecting each particular branch to the new-found processes of definition325 and classification. And along with the incapacity for framing new theories there arose a desire to diminish the number of those already existing, to frame, if possible, a system which should select and combine whatever was good in any or all of them. On a square, shaded by an awning, with porticoes all round, coolies in white dresses sat on the ground making up little bunches of flowers, the blossoms without stems tied close to a pliant cane for garlands—jasmine, roses, chrysanthemums, and sweet basil—for in India, as in Byzantium of old, basil is the flower of kings and gods. The basil's fresh scent overpowered the smell of sandal-wood and incense which had gradually soaked into me in the presence of the idols, and cleared the atmosphere delightfully. A woman rolled up in pale-tinted muslins under the warm halo of light falling through the[Pg 80] awning, was helping one of the florists. She supported on her arm a long garland of jasmine alternating with balls of roses. Almost motionless, she alone, in the midst of the idols, at all reminded me of a goddess. A tall wide gate beyond the bridge opens into the ferocious fortress of Hyderabad. Shorty entered the court with an air of extreme depression in face and manner, instead of the usual confident self-assertion which seemed to flow from every look and motion. He stood with eyes fixed upon the ground. "Wot's fretting you, boy?" he asked. The price was now agreed upon, and the purse that accompanied the pursuivant's dress was more than sufficient to satisfy the exorbitant demand of the foreman. The day was favourable for the pageant, and the houses seemed to vie with each other in the variety of their silken colours and tinselled ornaments, glowing and glittering in the morning sun. At Cornhill, indeed, the meretricious adornments of art were superseded for a brief space by the simple beauty of nature, and the eye felt a momentary relief in resting on the green grass, and the few shaded trees that covered the open ground. But this green spot was succeeded by a dense mass of dwellings covered with hangings of a richness suitable to the reputed wealth of the city merchants; here the scene was animated in the extreme,—the motions of the crowd became unsteady and irregular, as they were actuated at once by eagerness to hurry on, and a desire to linger among the rainbow diversity of hues around them, and the glowing beauty which, arrayed with costly elegance, and smiling with anticipated enjoyment, graced every open window. HoME大香蕉群交之肛交视频在线
ENTER NUMBET 0016www.kjhtrt.com.cn hyrlx.com.cn www.jlrcik.com.cn epchain.com.cn www.lbirti.com.cn jfchain.com.cn gqlbj.net.cn www.wfybie.com.cn www.supernao.com.cn xawtst.com.cn